Ep.4 Reality Sandwich: Everything is Queer by Ho Bin Kim

Ep.4 Reality Sandwich: Everything is Queer

About artwork

Provenance

Tech info

About

*This film was a part of a product of a collaborative work with Brandon Braza. Funded by the Cycle Project of Overlab Title: Ep.4 Reality Sandwich: Everything is Queer (2024) Runtime: 16:12 Director: Ho Bin Kim Starring: Brandon Braza Music: Kimchi Cowboys Synopsis Reality Sandwich is an ongoing, place-responsive, subaltern video series that unfolds through performative encounters with artists across diverse geographies. Inspired by absurdist gestures and relational practices, each episode begins with a single question—“What does a Reality Sandwich mean to you?”—and evolves through unscripted, daylong collaborations with local practitioners. Filmed in cities such as New York, Gwangju, Shanghai, Bacolod, Seoul, Rotterdam, Jogja, Kawasaki, and Riyadh the series resists conventional documentary structure, favoring instead a poetics of slowness, improvisation, and affective entanglement. In the fourth episode of Reality Sandwich, filmmaker Ho Bin Kim travels to Bacolod, Philippines. Teaming up with Brandon Braza, a local queer artist, Ho Bin dives into a world where, as Brandon asserts, “everything is queer, thus Reality Sandwich is queer.” Together, they wander through Bacolod’s local cafes, lively neighborhoods, and sugarcane fields, engaging in candid dialogues on the fluid intersections of self and society. As Ho Bin and Brandon delve deeper, they encounter a unique seasonal spectacle—spider fighting, a popular pastime where local children and adults alike gamble on small spiders’ battles. Guided by neighborhood kids, they meet a “spider dealer” who feeds and sells spiders kept in matchbox-sized containers, fueling a whole micro-economy based on these tiny creatures. Through intimate shots, the episode reveals the spider trade as more than a local curiosity, becoming a metaphor for entrapment and commodification. In a finale, the camera follows the search for spiders among Bacolod’s iconic sugarcane fields under moonlight. Flashlights reveal webs glistening in the darkness, a method used to capture spiders destined for future battles. Yet, in a poetic twist, the flashlight illuminates Brandon himself—embodying the entangled vulnerability of living as queer in a society that seeks to contain him. Ep.4 Reality Sandwich: Everything is Queer immerses viewers in a layered narrative of cultural traditions and personal identity, exposing the intricate webs woven by both human hands and societal expectations.

Authors

Tags

documentary film
experimental film
video art