Elastic looping space in time invites viewers to address places of personal memories. Making use of projection mapping techniques in virtual space, the video draws the beholder into a collection of views and streams of perspectives on Venice. A dissolution of spatial structure and its underlying personal concept of time and memory merges into meandering landscapes, architectures, forms and objects, that culminate in superimposition, layering and eclectic fragmentation. This process comes close to the distortion of memory through time and raises a paradox inherent in every place of memory and in every memory itself: Can it be recreated or is it per se a fragment of the past and thus closed and unformable?