A FIRE IN MA BRAIN THAT SEPARATES US

In an initially deserted room objects slowly begin to move; they are manipulated from the off-screen space, being pulled and dragged by strings, cables or thecarpet. This is accompanied by superimposed subtitles, which consist of a collage of existing film dialogue taken from gaslighting films: A text assemblage on seduction and betrayal unfolds in relation to signifiers
and performative re-enactments of codes associated with classical cinema.