
These works do not represent; they tune. They are not about technology or ecology, but about the capacity to hear through other organs, other speeds, other beings. Art here becomes a change in frequency, a slow recalibration of perception, until we begin to catch what has always been sounding around us. The world no longer stays silent. Light responds to movement, plants listen, algorithms learn to feel. Between body, nature, and machine emerges a subtle acoustics — a space where perception becomes communication, and every gesture resonates within matter. We might be witnessing the birth of a new world or chasing the ghosts of the old one. Entering into dialogue with what has no language: with wind, with data, with the memory of water. At times it feels like a fight against the machine; at others, like a spell, a meditation where the human and the natural breathe as one.
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