Void

Void arises from an exploration of the contemporary paradox: connection as a form of isolation.
In a hyperconnected system, constant access to personalized content (visual, sonic, informational) generates increasingly deep and separate individual experiences. The illusion of a shared space fragments into perceptual micro-universes, calibrated for a single subject.	
The performance questions the very concept of spatialization, no longer as extension, but as contraction of space.	
The audio diffusion system constructs a common immersive environment; the audience’s mobile devices, smartphones, introduce another perceptual level: a private bubble, accessible only to whoever temporarily holds it.	
At that moment, the device becomes both portal and boundary: it allows access to one experience while excluding others.	
The performer controls the sound and visual generation on the audience’s smartphones and articulates in real time the relationships between shared acoustic space and individual devices, configuring a perceptual counterpoint between collective diffusion and individual experiences; perception is situated, distributed, misaligned, continuously changing shape.	
The ideal point, the “sweet spot”, is no longer a position in space, but a perfect isolation, so precise as to become a “non-space”.	
It is not what is seen or heard that defines the work, but what is excluded.	
An experience that questions the threshold between the personal and the collective, between what appears and what escapes, between presence and absence.	
Perhaps the only truly shareable element is precisely what no one can perceive alone.