The Approximation / Speculative Organ

The Approximation is a sculptural and conceptual work that emerges from my reflections on the female reproductive system as something distinct from the female body itself — a system that functions autonomously, guided by its own logic. The piece explores the idea of biological multiplicity and the intersection between natural and technological reproductive strategies. It speculates on how nature offers a wide spectrum of reproductive processes, and how technology mimics, manipulates, or extends them. The Approximation suggests a fragmented, hybrid entity, a speculative organ that could belong to a non-human body, or perhaps a future version of the human. Through form and materiality, I investigate how reproductive processes can be imagined not only biologically, but also mechanically, ecologically, and politically. Sculptural form responds to the presence and touch of visitors, which intensifies “heartbeat” and expand the projected video.

  • performance art
  • interactive art