NO ONE GETS OUT

A crosswalk in New York. A body enters, stops, and remains still while the city continues to flow. After a few seconds, the image collapses into a recursive loop. Each repetition accumulates visual error through datamoshing, merging bodies and saturating colors. The scene progressively loses readability while continuing to operate. Movement turns into density, space becomes obstruction. The work does not present a manipulated reality, but exposes the instability of the image and its failure as reliable evidence.