kanshanshui1.0

My work views landscapes from a contemporary perspective, using an abstract eye within an imaginary world, merged with the atmosphere of artistic conception characteristic of Chinese painting and the use of ceramic materials. The overall mood evokes the artistic conception of Chinese painting and the ethereality of the immortal realm, yet this is, more deeply, an inward exploration. Chinese philosophy speaks of the unity of heaven and humanity. Seeing inherently operates on two levels: outwardly observing mountains and waters, and inwardly, at every moment, perceiving one's own heart. The mist-shrouded immortal realm is, in truth, the undisturbed, tranquil place within. When disturbances veil our primordial connection with heaven and earth, still inner contemplation is the way to restore it. The reason viewing landscapes can heal is precisely that it borrows the simple, profound beauty of the outward world to awaken the innate order within. The unity of heaven and humanity is an immediate experience — the mountain is the pent-up weight in your chest, the water is the long, flowing stream of your emotions, the clouds are the blank spaces left by your dispersing thoughts. When the inner landscape is truly seen and accepted as it is, the cracks begin to heal. The ethereal freedom of the immortal realm is exactly the natural state of a heart that is light, at ease, unhindered, and once again one with heaven and earth. 我的作品以当代人的视角，用抽象的眼睛和架空的世界，结合中国画讲究意境的氛围与陶瓷材质的运用，来观看山水。整体氛围是国画意境与仙界的缥缈，但这更是一次向内的探寻。 中国哲学讲天人合一，观看本有两层：向外看山水，向内时时察觉内心。云雾缥缈的仙界，实为内心那片未搅扰的清寂之地。纷扰遮蔽了我们与天地的源初连接，静定的内观便是恢复。 看山水之所以能疗愈，正因它借外在的朴素大美，唤醒内在的天然秩序。天人合一是当下的体验——山是胸中块垒，水是情志长流，云是思绪的余白。内在山水被如实看见、接纳，裂隙便开始愈合。仙界的缥缈自由，恰是内心轻安无碍、与天地合一时的自然状态。