GLEE 16; video art piece; 2025; 4 min 30 sec

GLEE 16; video art piece; 2025; 4 min 30 sec In my video works, I am concerned with a particular social state of suspension that somehow emanates from the places and their spaces. When I take colonial or post-colonial theories into account, I mean in a purely figurative sense that the screen is the visual focus of my video art. Screens today can be many different types of device - with the most curious manufacturer brands. The question that was recently asked to me in a conversation about the work was the following: Where are colonial theories involved here? These become visible simply through the existence of the screens, which are smart devices based on exploitation. We have been experiencing for some time now what effect this has on our ability to communicate and with information. I still find that in my research, which ultimately always involves this technology, colonial theories uncover and leave traces directly on the surface of the procedure, or at the interface between reality and dream. I am more aware about it right when I wake up and the moment when I fall asleep. I am excited to filter out this awareness even more deeply and all-embracing. My main concern is to illustrate my emotions, rather than technology. I am also interested in climate-shifted areas of power, such as work areas where the power of nature remains the strongest. In summary, all industrial revolutions are merged in the broadcasts with the characteristics of the places in which the devices are located.