Don Salomón

The work proposes an intimate approach to memory and the passage of time, understanding life as a superposition of possibilities that coexist without replacing one another. It is a piece that “screams” because it understands that words are not enough to address what it means to exist and that scream is not literal, but structural. It lies in fragmentation, in silence, in the tension between what was and what could have been. The piece moves away from a linear narrative and instead offers a journey through parallel lives imagined or unfulfilled. It does not provide closed answers or a single interpretation. Instead, it constructs a space of ambiguity where the viewer must complete what is missing. The work is experimental because it operates from possibility rather than certainty. Because it trusts the audience’s perception. Because it does not present a finished story, but rather an incomplete body that needs to be assembled by the one who observes it.