SKGAL

Masha Godovannaya

Malpractice

Flynn

Dagmar Schürrer

Kurt Hentschlager

maximilian prag

Alexander Glandien

Claudia Larcher

Klimentina Li

Shahab Nedaei

CIFRA

Austria

glitch art

generative art

computer animation

computer graphics

algorithmic art

virtual reality

video art

video installation

eco art

documentary film

experimental film

avant-garde cinema

cyber performance

software-based art

artificial life

digital poetry

video games

experimental music

dance film

https://cifra.com/content/art/3bcf16e2-f20e-4ad5-a6de-f46a9068c733/media/short/1786654894/24881bb78f485cde698dff277daffeef3f25866962fe8d39811ae25c39c5266b/content.m*

refresh rate rituals (startime to screentime)

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year 14 A.I. *◦ ̊⁎when i upload myself t

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Wind / Ветер

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Untitled №1

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The City Bridges Are Open Again / Опять в городе разведены мосты

https://cifra.com/content/art/a568adfe-2283-4991-a0bd-cb4431afe706/media/short/1786654894/562290f797ba5fd370779f7da7c36a51a502c6d2ee2649bad8017af21639c54c/content.m*

Passive/Aggressive

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Laika. The Last Flight

https://cifra.com/content/art/82b2a30c-ae57-4874-8256-c225bb071d8c/media/short/1786654894/2c9f97a991b32d1d594ed41568c7b69f4427fb91f9f9e43cba24cce4507b5097/content.m*

Door Sign Sekretariat für Geister, Archivpolitiken und Lücken

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HAUNTINGS IN THE ARCHIVE!

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PARADOX PARK

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We Are the Machine Learning to Dream

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DON'T BE SUCH AN IMAGE

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FATIGUE ARCHIVE

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We are already history, and we...

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Memories on Bytes

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SKINS.II - Beyond the Click

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GALAXY

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Dreaming is the mind left to itself

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The Institute

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DATA BODY

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Ornament is Crime

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#postalps

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Collapsing Mies

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The Great Tree Piece

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The Artist in the Machine

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Me myself and I

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Empty Rooms

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un jour, m'est apparu en songe un rendez

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elastic looping space in time

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echo & narcissus

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Baumeister

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HEIM

In their video work Maximilian is treating time as both physical and metaphysical material.
From deep sea internet cables navigating our faster than real-time social media timeline to planetary timescales of erosion and decay. Combining both human and non-human time-forms (lines, cycles, spirals, liminal, seasonal) they use time as a material for world building. In their CGI approach they use (de-)generative algorithms together with digitized archival matter in form of 3D scans to bridge tangible with intangible matter representing an open dreamscape of realities. 
The video shows their research into time as a fourth dimension and visualizing time as cause and effect, but also the act of recording or experiencing time itself as a moving material. Time is treated not as a linear progression, but a flow measuring itself as it streams in and out of consciousness.

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